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Showing posts with label Doctor Who. Show all posts
Showing posts with label Doctor Who. Show all posts

Saturday, 10 November 2007

NEW DVD Spin - Doctor Who: The Complete Third Series (BBC Warner)

Oh, these last three years have been gold for us long-time fans of BBC TV's Doctor Who. For starters, we finally get to come out of the closet and display our Dalek toys proudly because this newly regenerated incarnation of TV's longest-serving science fiction series has become not just a national institution in the UK; it's a U.S. and international hit, and has picked up more serious, non-fanboyish awards than you can shake a sonic screwdriver at. These last three years have been hit or miss (a Doctor Who tradition since 1963), but when it hits it's some of the best sci-fi on TV (at times some of the best TV on TV).

With David Tennant returning for his second year as the wayfaring Time Lord (redefining "the DTs" for swoony fans worldwide), Season 3 starts strong with the arrival of the Doctor's new companion, Martha Jones (Freema Agyeman), in a good old-fashioned monster romp that transports a London hospital to the moon, where we find blood-sucking aliens, rhino-headed galactic stormtroopers, and the revelation of interstellar Magic Markers.

Other adventures pit the Doctor and Martha against ancient witches in Shakespeare's Globe Theater, a super-traffic jam billions of years in the future, and a malevolent force plunging a starship crew into a sun. The low points here are the "Daleks in Manhattan" two-parter, which does everything wrong, and (I can hear the fan forums gnashing now) the three-part season finale that resurrects the Doctor's arch-nemesis, the Master. While there's much to enjoy in John Simm's energetic turn as the evil Time Lord, those three episodes prove once again that series' creator Russell T. Davies really shouldn't be the one writing the season cappers.

However, some of the best stories the series has seen, ever, come from its two best writers -- Paul Cornell's chilling, moving two-parter "Human Nature"/"The Family of Blood" drives home both the Doctor's alienness and his humanity, and Steven Moffat's scary, enthralling "Blink" is worth the DVD set all by itself (and has us scouring the TV listings for more from young guest star Carey Mulligan, who's going to around for a long, long time).

All 13 eps are here, along with the feature-length Christmas special "The Runaway Bride," in 1.78:1 widescreen and DD 5.1 sound. They're of course uncut, which shouldn't need to be mentioned unless you've seen these only in their whittled-down Sci Fi Channel airings, in which case it's a bonus. This series' DVD sets have been generous with the extras, and this time we get episode commentaries from the cast, producers, writers, directors and others; selections from David Tennant's Video Diary; this season's thirteen "Doctor Who Confidential" episodes (totaling 2 1/2 hours); "Music And Monsters" (one hour) connects the "Doctor Who Confidential" entry for "The Runaway Bride" to the live "Children in Need Concert" of music from the show (joined on stage by David Tennant and assorted alien hordes); trailers and previews.

For devotees of old-school Doctor Who, this week also sees BBC Warner DVD releases of two lesser serials from 1982 with Peter Davison playing the Doctor: Doctor Who: Time-Flight and Doctor Who: Arc of Infinity. Although these are by no means the best of the Peter Davison years, the DVD releases of "classic" Doctor Who are always superbly produced with painstaking restorations and quality extras.

http://www.film.com/dvds/story/newdvdspindrwhoflightoftheconchordscolbertreport/11597476/17228828

Review: Doctor Who - The Complete Third Series - DVD Talk

After Billie Piper (Rose) departed in the series 2 finale "Doomsday," many fans were deeply saddened and wondered if the show would collapse with a new companion (Martha Jones). However, as any "Doctor Who" fans know, a companion change is a trademark element of the show. It spices up the program by making it continuously fresh. While the character of Rose will surely be missed, I'm happy to report that Martha Jones (and series 3 for that matter) will no doubt please fans.

A summary of Series Three: The third series was a tragic year for the Doctor. Not only is he still trying to cope with the loss of Rose, but the Doctor is starting to feel alone in the world. True, he picks up a new companion (Martha Jones) to fill that void, but it doesn't seem to be enough for him. He misses his home. On top of that, the Doctor winds up losing a close friend, and meets two of his biggest foes (the Daleks and The Master).

Series Three consists of 13 episodes plus the Christmas Special "The Runaway Bride." Here's a rundown of each ep:

"The Runaway Bride"- Aside from a gripping Tardis chase and a nifty scene involving planet Earth's creation, the story about the Empress Of Racnoss trying to bring back her species treads familiar ground. Additionally, the inclusion of Catherine Tate as Donna, who will be the main companion in series 4, was a bit mixed. Tate starts out obnoxious by screaming non-stop, but she eventually mellows down and becomes more likeable as the story progressed. It will be interesting to see how she fares in an entire series.

"Smith And Jones"- The story about a fugitive blood sucking Plasmavore is by no means brilliant, but I felt this was a perfect opening to the season. The story superbly introduces Martha Jones and her family to viewers while also presenting a new alien species (The Judoon). In my humble opinion, the Rhino headed Judoon are the best realized aliens of the new series alongside the Ood.

"The Shakespeare Code"- The plot: A group of witches named the Carrionites are using William Shakespeare to bring back their sisters from another dimension. Naturally, the Doctor plans to stop them from carrying out their plan. This is simply put my favorite historical episode of the new series thus far. David Tennant is at the top of his game here with his hilarious dialogue about "Harry Potter," "Back To The Future," and Shakespeare play references. Freema Agyeman's chemistry with Tennant begins to grow here as well.

"Gridlock" sees the Doctor returning to New Earth and discovering a massive traffic jam, the Macra, and other mysteries that he must uncover. Much like fine wine, this episode gets better with age. Not only does the episode contain stunning imagery (the Macra, the motorway), but "Gridlock" also has some of the most touching scenes in "Doctor Who" history (notably the death of reoccurring character, the Doctor's determination to save Martha/the city, and the hymn).

"Daleks In Manhattan" and "Evolution Of The Daleks"- This 2 parter about the Daleks showing up in 1930's New York to create a new army starts out promising enough with astonishingly detailed sets, f/x, and costumes, but the story quickly becomes a tiresome routine tale of the daleks killing and escaping. Flaws aside, however, I was intrigued by the inclusion of the Human/Dalek Hybrid. It's a shame this story idea fizzled out because it would have made for an original story arc for the Daleks.

"The Lazarus Experiment" - The plot: A scientist named Professor Lazarus creates a machine that makes humans become young again. He tests it on himself and it appears to go according to plan until he transforms into a giant, grotesque monster. There's no bones about it, this is a good-old-fashioned "Doctor Who" monster story complete with corridor chases and peril a plenty. In addition to the action, we actually get to see (and learn) A LOT more of Martha's family here. True, they aren't as charismatic as Rose's family and friends, but it's hard to top Jackie Tyler and Mickey Smith.

"42"- The Doctor materializes aboard a ship that is about to crash into the sun. Additionally, an unwelcome alien visitor slowly begins to kill off the crew one by one. "42" is easily the weakest of the season. The story is too much like "24," "Sunshine," and last year's "Impossible Planet/The Satan Pit." The script is also dumbed down by a eye-rolling subplot about trivia questions. The only redeeming element is seeing the Doctor become possessed by an alien.

"Human Nature" and "The Family Of Blood" sees the Doctor hiding out as a human schoolteacher in 1913 England to avoid a nasty group of aliens. When the aliens eventually land in England, only Martha knows how to bring the Doctor back to his normal self. This 2 parter is a nice departure from the usual adventure, but there's simply not enough material here to warrant two parts. Granted, it's nice to see a greater emphasis on character, but most of it feels like filler. My favorite moment of this 2 parter was seeing the Doctor's darker side during the montage in which he "deals" with the Family Of Blood.

"Blink"- The plot: After an encounter with the Weeping Angels (alien statues), the Doctor finds himself trapped in time. His only hope is to reach out to a young woman named Sally Sparrow. Writer Steven Moffat is arguably the show's best scribe. "The Empty Child," "The Doctor Dances," "The Girl In The Fireplace," and now "Blink" are all brilliant episodes. "Blink" is a tour-de-force horror tale with plenty of clever plot devices (DVD Easter Eggs!) that will keep the viewer enthralled. Also, the character of Sally Sparrow is absolutely charming. The GORGEOUS actress Carey Mulligan lights up every scene she is in. She puts Billie Piper and Freema Agyeman to shame. Hopefully Sally Sparrow will become a future companion.

"Utopia" sees the return of Captain Jack Harkness (finally!). The story: Jack, Martha, and the Doctor travel to the end of the world where they meet a Professor Yana (played by the exquisite Derek Jacobi) who turns out to be the Master. "Utopia" is hands down my favorite episode of the season. From the opening of Captain Jack grabbing hold of the Tardis to the shocking regeneration scene, this adventure yarn was a non stop thrill ride.

"The Sound Of Drums" and "Last Of The Time Lords" find the Doctor returning to present day England (AKA Martha's home) to find that political candidate Harold Saxon IS the Master. Even worse, he has just been elected Prime Minister. With this power, the Master's plan of world domination begins to take effect. Will the Doctor be powerless to stop him? Of all of the finales of the new series, this 2 parter is by far the weakest. True, we do get a geektastic flashback of Gallifrey, a revelation about Captain Jack, and two other surprises at the end, but the story is rather ho-hum. "The Sound Of Drums" merely re-states all that has happened up to this point and sets up the second part. "Last Of The Time Lords" doesn't deliver on the promise of the set-up and wraps up way too quickly and predictably. The finale also boasts some frightfully bad moments (the psychic energy resurrecting the Doctor, the Master musical number). As for John Simm's Master, while he may be a tad over the top at times, his scenes with Tennant made for some good drama.

Overall, series three is on par with the last two seasons of the new series. All three seasons have their ups and downs, but the good far outweighs the bad. For my money, "Doctor Who" is the most exciting and fulfilling show on television today. Bring on series 4!

The DVD

Video:
Since I reviewed a promo copy, the 1.78:1 widescreen picture quality may not appear as clear as the finished version. I did notice some lines during darker scenes, but overall the transfers were very sharp. This may be considered blasphemous, but I love seeing non-video tape/widescreen Who episodes. It makes the adventures appear more epic.

Sound: The 5.1 Dolby Digital audio certainly has a stronger mix than classic "Doctor Who" discs, but the show suffers from loud music cues that overpower the dialogue (a common complaint among fans). PLEASE tone down the music for series 4.

Extras: Disk 1:

* Previews for "Torchwood" DVD and a BBC America channel.

* 2 teasers and 4 launch promos.

* A self-explanatory 18 minute Freema Agyeman Studio Tour. She guides us through the production offices, stages, prop offices, etc.

* 5 1/2 minutes of outtakes mainly showing David Tennant messing up.

* A 9 minute David Tennant Video Diary on "The Runaway Bride" set. He interviews Catherine Tate and Sarah Parish about their roles.

* Julie Garland and David Tennant give us a commentary track on "The Runaway Bride." The two chat up a storm about green screen work, scenes that were cut, and Catherine Tate.

* 18 mins. of deleted footage (mostly short extended scenes). I'm sad to report there isn't anything really notable here aside from scenes with Doctor packed into a small car in "The Runaway Bride," and the Doctor singing in "Human Nature."

* "Music And Monsters" (58 1/2 minutes) is the "Doctor Who Confidential" episode for "The Runaway Bride" and the "Children In Need Concert." The concert consists entirely of music from the show with various actors (David Tennant) and creatures (Dalek, Cybermen, Ood) appearing on stage. I wish I could have been there!

Disk 2:

* Trailers for "Jekyll," "The Shakespeare Code," and "Gridlock."

* A 29 minute David Tennant's Video Diary featurette on "Smith And Jones," "The Shakespeare Code," and "Gridlock." David shows off his new suit and talks to Freema about her first day on set.

* Commentary- "Smith And Jones"- Russell T. Davies and David Tennant seem to be having fun as they talk back and forth about costumes, the focus on panicking citizens, and the Sontaran/Judoon comparisons.

* Commentary- "The Shakespeare Code"-Christina Cole and David Tennant give some insight into shooting at the Globe theater. The highlight includes Tennant talking about a cut scene between the Doctor (in his underwear) and Martha in bed. That would have been awkward.

* Commentary- "Gridlock"- Julie Gardner, Travis Oliver and Marie Jones mainly blabber about the F/X and catsuits.

Disk 3:

* Trailers for "Daleks In Manhattan," "The Lazarus Experiment," and "42."

* Commentary- "Daleks In Manhattan"- Miranda Raison, Louise Paige, Helen Raynor comment on the horrendous weather plaguing production and the superb New York sets.

* Commentary- "Evolution Of The Daleks"- David Tennant, Nicholas Briggs, and Barney Curnow give my favorite commentary track of this set. Briggs is an absolute hoot to listen to as he introduces himself as Tom Baker, talks in Dalek voices, etc. I hope he will do voice acting in series 4.

* Commentary- "The Lazarus Experiment"- David Tennant and Mark Gattis ramble on about prosthetics, old man makeup, RTD's love of anagrams, and much more.

* Commentary- "42"- Russell T. Davies and Chris Chibnall talk VERY fast in this track. The highlight includes RTD comparing "Sunshine" to this episode and stating how the ship in this episode was originally called Icarus (the name of the ship in "Sunshine").

Disk 4:

* "The State Within" preview.

* David Tennant's Video Diary on set of "Daleks In Manhattan," "The Lazarus Experiment," "Evolution Of The Daleks," "42," "Family Of Blood," "Human Nature" and his stint on "The Weakest Link: Doctor Who Special" (40 minutes).

* Charles Palmer, Paul Cornell and Murray Gold provide commentary for "Human Nature." Cornell is overly excited about everything little thing and questions Gold and Palmer frequently. Cornell does offer a few tidbits about comparisons to his "Doctor Who" book of the same name.

* On "Family Of Blood," Suzie Liggat, Tracie Simpson, and Arwel Wyn Jones provide commentary. The three mainly discuss technical aspects such as the costume designs, locations that the crew shot at, character roles, etc.

* Commentary- Murray Gold and Steven Moffat chat about "Blink's" intricate time travel story, music, and classic Who episodes.

Disk 5:

* Trailers for "MI-5" Volume 1, "Utopia," "Sound Of Drums," "Vote Saxon," and "Last Of The Time Lords."

* A 27 minute David Tennant's Video Diary from the sets of "Utopia," "The Sound Of Drums," and "Last Of The Time Lords." Highlights: A tour of John Barrowman's trailer, Tennant dancing in the old man costume, and Barrowman getting a Dalek cake for his birthday.

* Commentary by Russell T. Davies and David Tennant on "Utopia." The two talk about the crazy filming schedule, continuity, the Master and how John Barrowman was going to do the commentary track.

* "The Sound Of Drums" commentary features Julie Gardner and Phil Collinson. Highlights include discussions of the celebrity cameos and a reference to the superb "Sea Devils" episode.

* Russell T. Davies, Julie Gardner, and Phil Collinson show up on the "Last Of The Time Lords" commentary track. In between fits of laughter, the 3 chat about the big "revelation" at the end of the episode, and how the Master won't be returning in season 4. RTD does state that he purposely set it up so that he could return in some form down the road.

Disk 6:

* "Doctor Who" Series 2 preview.

* 13 "Dr. Who Confidential" episodes running 2 1/2 hours in length. The most notable bits include writer Helen Raynor and crew members visiting New York for research and plate shots for the Dalek episodes, behind the scenes shots, early memories of the show with various writers/actors, interviews, etc.

My only complaint with the bonus features is the absence of the animated "Doctor Who: Infinite Quest" series.

Final Thoughts:
"Doctor Who" series 3 is a must buy. I am proud to give this set my first DVD TALK COLLECTOR SERIES rating.


http://www.dvdtalk.com/reviews/review.php?ID=31196

Wednesday, 4 July 2007

The Stage Review of Doctor Who - Blink

Apologies for the late arrival of our weekly Doctor Who review. I’ve only just emerged from under the duvet after Blink scared the living daylights out of me.

Die-hards will always tell you that Doctor Who is such a great idea because it’s such a flexible format, can go anywhere in time and space, can give us an urban techno-thriller one week, silly alien invasion the next, with a tear-jerking romance not far behind. It’s a cliché because it’s true. The format is so loose and broad that we can even have episodes that barely feature the two leads at all, while still managing to feel so much like Doctor Who it hurts (in a good way).

Blink is Stephen Moffat’s third story for Doctor Who on the telly, having given us scary boys in gasmasks, girls in fireplaces, and now we have terrifying statues. Moffat, more than any other writer, takes chances with his Who writing, loosening a nut here, tightening a bolt there, to do things that keep the Doctor Who structure intact while encouraging us to look at it in a different light.

When Sally Sparrow explores an abandoned house of a very spooky variety, she is drawn into a story that spans across time. She discovers a message from the Doctor behind some wallpaper, advising her to duck, which she does, just in time. Later, she drags flatmate Kathy back there to make sure she didn’t imagine the whole thing. Some spooky wandering around later, during which Sally takes delivery of a mysterious package, Kathy disappears… But then our plot thickens even further, as the package turns out to be from Kathy, who ended up back in time and lived a full and happy life until her death. There’s something screwy going on, and I wouldn’t be at all be surprised if it had something to do with that really scary looking statue of a weeping angel… And when Sally gets home, why is the Doctor speaking to her from a DVD extra?

Once again, Doctor Who serves up some seriously good television thanks to a clever script that zings along with Moffat’s trademark dialogue and some great performances from a cast who are doing Doctor Who without the Doctor. Carey Mulligan is so thoroughly likeable as Sally that you long to give her a hug and take her out for coffee. She’d make a great companion for the Doctor should he have need of a new one in the future (although the one he’s got is working out just fine, thank you…). I wanted to see more of Cutting It’s Lucy Gaskell as Kathy (probably because I unashamedly fancied her more than Sally), but it’s down to Moffat’s writing that he can sketch characters so deeply with only a handful of scenes to do it in.

And then there’s the Weeping Angels, a race of aliens who can only move when nobody’s looking at them – so in other words, don’t blink. Ever. As soon as you do, you’re dead… And if they get you, you’re blasted back in time, the potential energy of your future absorbed by the angels. And that’s what happened to the Doctor and Martha, who ended up in 1969, cut off from the TARDIS.

With the Angels, we probably have Doctor Who’s most pant-wettingly scary monsters of all time, and their very concept has you questioning the inner workings of the writer’s mind. This is quickly followed by the sad realisation that you haven’t a hope in hell of ever being that clever, even if you spent the rest of your life trying.

With Blink, we have what has become known in fan circles (of which I obviously know nothing about) as the ‘Doctor-lite’ episode. It’s a thumbnail heading to denote that two filming blocks are ongoing, and as David Tennant and Freema Agyeman can’t be in two places at once, one episode has to be light on scenes for them. Without this, the shoot would go beyond the nine months it currently spans, so it’s a logistical necessary so the leads don’t go doolally-tap from over-work.

Last year we were given the Peter Kay-starring Love and Monsters, which was a love it or loath it affair in its tricksiness. Where Blink scores over Love and Monsters is managing to have an episode without the Doctor and Martha, yet which manages to give them so much presence in the narrative for this to still feel deliciously Who-ey. This also gives us a chance to see just how well Tennant and Agyeman really do work together. When they do pop up, it feels so natural, that it’s always been the Doctor and Martha. Personally, I wouldn’t want it any other way.

Blink continues the high-quality run of episodes we’ve had from this third series of Doctor Who, and it easily ranks as one of the best (although I still favour Moffat’s The Empty Child/The Doctor Dances from his three stories to date). And that stridently confident ending will strike fear into the hearts of children for years to come, going down in Doctor Who lore as ‘The One with the Bloody Scary Statues’.

Just as it should do…

Published Tuesday 12 June 2007 at 16:59 by Mark Wright

http://www.thestage.co.uk/tvtoday/2007/06/doctor_who_310_blink.php